One essential metal drumming sound is
the cymbal choke where the decay of the cymbal is stopped short to create an
aggressive punctuation in the music. The choking action is usually done using the
opposite hand to that which hits the cymbal. However, as you get more
proficient it is possible to crash and choke with the same hand, and for
maximum effect it is worth practising this using either hand. Choking the cymbal is usually done over individual bass drum hits.
However, it can also be very effective when played over double bass drum
patterns. As hi-hats have become more openly and aggressively played, so the
dynamic of the rest of the drum kit has had to increase, to the point where
simply moving over to the ride cymbal is no longer enough to achieve a lift in
the music.As a result, most metal drummers now frequently play the ride part on
a crash cymbal or sometimes even a china cymbal in order to create an
appropriate shift in dynamics. This is best done on a larger cymbal, usual
18" or upwards, so as to create desired wash or spread.
There are a number of effective methods
for learning basic snare drum technique. So, seek a good drum teacher Swansea, Neathto help guide you
through the fundamentals. For starting with the stand assembly and instrument
position, spread the base of the stand far enough to create a stable platform.
Then, insert the top into the base of the stand. Place the drum into the basket
while avoiding contact with the snare strainer. The drum should be at about
waist level and slightly angled for your comfort. Tighten all stand wing
nuts. Now it is time to tune the drum
for the best possible sound.Have your teacher help select snare sticks that
work for you. Something equivalent to a 2B or a 5B usually works fine. The
balance point is 1/3 of the way up from the butt end of the stick. Grip the
stick near this point for the best response and bounce. Learning to hold the
sticks properly is essential for improving technique. Fulcrum (thumb and first
two fingers), finger contact (comfortably wrap all fingers around the stick;
not too tight), bead placement (as close together as possible for an even
sound) and then striking area (centre of the drum head), wrist motion (down position
and up position), all these play an important role in maintaining the right
grip.
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